Tag Archives: movies

Part III: Ghost-free SPOOKY Films

Today I conclude my 2019 spooky film recs with some Ghost-free viewing options!

All film synopses are from imdb.com.


Cold Skin (2017) — Unrated
In 1914, a young man arrives at a remote island near the Antarctic Circle to take the post of weather observer only to find himself trapped in a watchtower besieged by deadly creatures which live in hiding on the island. If there’s a historical film that is spooky AND co-stars Ray Stevenson, I’m going to watch it. David Oakes is great as the newly stationed weather attendant who soon learns that he and the eccentric lighthouse keeper (Stevenson) aren’t the only sentient creatures in the neighborhood. Physical and ethical clashes ensue. The pace is a little pokey at times, but it’s a gorgeous film.
Watch the Trailer / Options for Viewing / No Metascore


Us (2019) — Rated R
A family’s serene beach vacation turns to chaos when their doppelgängers appear and begin to terrorize them.
I love Jordan Peele and am a fan of Get Out, but for some reason I resisted watching this film for a time. It is quite good, but it’s also the sort of film one wants to discuss afterwards and my usual film-watching buddies were unavailable. I love how Peele adds humor to the horror, and Lupita Nyong’o is a standout in a very strong cast.
Watch the trailer / Options for Viewing / Metascore: 81 (tied with REVENGE for highest metascore of my 2019 recs)


Revenge (2017) — Rated R
Never take your mistress on an annual guys’ getaway, especially one devoted to hunting – a violent lesson for three wealthy married men. This one consistently shows up at or near the top of “best horror films,” but I avoided it for a couple of years because of the content. I’m glad I finally watched. It’s not fun, but it’s deeply satisfying. It DOES NOT eroticize violence against women. In fact, according to one reviewer, it “gouges the male gaze out of our eyeballs.” Keep in mind there is a high level of gore in this film.
Watch the trailer / Options for Viewing / Metascore: 81


Midsommar (2019) — Rated R
A couple travels to Sweden to visit a rural hometown’s fabled mid-summer festival. What begins as an idyllic retreat quickly devolves into an increasingly violent and bizarre competition at the hands of a pagan cult. This film is LONG and WEIRD. Like Hereditary it deals with the consequences of unrelenting grief and depression, but with an entirely different outcome. (So different that you almost forget about the grief–but maybe that’s the point?) I do think Ari Aster drags out the film with those long ritualistic sequences, but unlike some reviewers, I feel mostly satisfied with the ending. It made a certain sort of sense to me as a deliberate contrast to Hereditary‘s conclusion.
Watch the trailer / Options for Viewing / Metascore: 72


Upgrade (2018) — Rated R
Set in the near-future, technology controls nearly all aspects of life. But when Grey, a self-identified technophobe, has his world turned upside down, his only hope for revenge is an experimental computer chip implant called Stem. This is my favorite horror film of this year’s offerings. I would call Upgrade a “Tech Noir” in the vein of Blade Runner and other “near future” scifi horror. It stars Logan Marshall-Green (whom I loved in The Invitation) as a vengeful widower and Simon Maiden as the voice of Stem. Oh, how darkly fun this film is! I won’t say more — just watch it.
Watch the trailer / Options for Viewing / Metascore: 67

That’s all from me for 2019–Hope you find something fun to watch. Do let me know in the comments if you have any recommendations. Happy Horror Viewing!

Part II: Ghostly and Gothic SPOOKY films

Oh, how I love a good GHOST film! Ghosts and/or related paranormal entities feature in each of the following recommendations.

All film synopses are from imdb.com.


The Wind (2018) — Rated R
A plains-woman faces the harshness and isolation of the untamed land in the Western frontier of the late 1800s. This film, written and directed by women, is visually arresting and emotionally harrowing. It’s also non-linear and requires active viewing. I’ve long been captivated by pioneer narratives and the “romance” of homesteading, but this film really brought home how difficult such a life could be. It also added a lovely Gothic twist to the mix. I will watch this one again.
Watch the trailer / Options for viewing / Metascore: 66


Don’t Leave Home (2018) — Not Rated
An American artist’s obsession with a disturbing urban legend leads her to an investigation of the story’s origins at the crumbling estate of a reclusive painter in Ireland. This one had me at “crumbling estate”! I’ve never encountered a story quite like this, and I can’t tell you too much about it without spoiling. It’d be better if you just watched so we can talk about it later. This is another one I plan to see again.
Watch the trailer / Options for viewing / Metascore: 65


Astral (2018) — Rated TV-MA
A detached university student faces the consequences of astral projection when he uses it to reconnect with his dead mother. This is not your glossy, high-budget sort of horror film, and all the user reviews on IMDB indicate that no one liked it. But I had to watch because I’m rather obsessed with the narrative potential of astral projection. Also, the lead actor played Tom Riddle and is the RADA-trained son of Stephen Dillane (Stannis Baratheon in Game of Thrones, and much more). Viewing this required patience, but the story eventually builds into something rather dramatic. I thought it was worth watching and I enjoyed the fact that most of the action takes place at Royal Holloway. (Do I need to watch Fear the Walking Dead now?)
Watch the trailer / Options for viewing / No Metascore


Haunted (Hjemsøkt) (2017) — Not Rated
After her father’s death Catherine travels back to her old family estate in winter time Norway. When locals start telling stories of disappearances and possible murders, she is forced to confront her family’s mysterious past. There’s nothing particular ground-breaking about this ghost story–it doesn’t have any special bells or whistles–but I loved it all the same. The Norwegian setting is gorgeous. (Just look at that still above.) The lead actress is a pleasure to watch. The story held my attention to the very end, and I look forward to watching it again. I have one quibble that I’m longing to discuss, so do let me know if you watch.
Watch the trailer / Options for viewing / No Metascore


Clara’s Ghost (2018) — Not Rated
Set over the course of a single evening in the Reynolds family home in suburban Connecticut, Clara’s Ghost tells the story of Clara Reynolds who, fed up with constant ribbing from her self-absorbed showbiz family, finds solace in and guidance from the supernatural force she believes is haunting her. I didn’t quite know what I was getting into when I started watching this. It features a hilariously dysfunctional family of actors who decide to gather in order to torment each other AND celebrate their dog’s birthday. Bad behavior ensues. This is another film written and directed by a woman, and I absolutely love the fact that it was a family project. I look forward to Bridey Elliot’s next film.
Watch the trailer / Options for viewing / Metascore: 66

BONUS! Ghostly films I enjoy watching again and again:
The Haunting (1963) — Previously discussed here.
The Changeling (1980) — Previously discussed here.
The Others (2001)
The Eclipse (2009) — Previously discussed here (scroll all the way down)
The Awakening (2011) — Previously discussed here.
The Conjuring (2013)

Part I: Family Friendly SPOOKY Films

I’m launching this year’s festivities with a few movies the whole family might enjoy. Please check the Parental Guide for each title. If you’re new to the blog and have younger children, you might check my 2016 post that includes solidly PG films, and don’t forget last year’s family viewing options. If you have tweens and teens interested in watching horror, the following options might appeal. Of course, you are the best judge of what your kids can or can’t handle in a scary film.

PLEASE NOTE: if you crave 500 jump scares per film, you may be disappointed by my recommendations. For more context on this, check out Chris Stuckmann’s youtube video, The Problem with Horror Movies Today–he makes a great point.

As usual, all film synopses are from imdb.com.


The Hole in the Ground (2019) — Rated R (not sure why?)
A young mother living in the Irish countryside with her son suspects his increasingly disturbing behavior is linked to a mysterious sinkhole in the forest, and fears he may not be her son at all. This is a bit slow to start, perhaps, but your patience will be rewarded. You’ll also be pleased to see the ubiquitous and always delightful James Cosmo. This film is both familiar and unique, and I loved the setting.
Watch the trailer / Options for viewing / IMDB Parental Guide /
Metascore: 63


Wait Till Helen Comes (2016) — Rated TV-14
When a reconstructed family moves to a converted church in the country, 14-year-old Molly, must save her new troubled step-sister from a dangerous relationship with the desperate ghost of a young girl. Raise your hand if you loved this book by Mary Downing Hahn! I’ve read it twice, and I thought this adaptation was pretty strong–spooky and tense without being gruesome, vulgar, or gratuitously violent. Great family fare, but not recommended for the little ones.
Watch the trailer / Options for Viewing / IMDB Parental Guide / No metascore


The Witch in the Window (2018) — Not rated
When Simon brings his twelve year-old son, Finn, to rural Vermont to help flip an old farmhouse, they encounter the malicious spirit of Lydia, a previous owner. And now with every repair they make – she’s getting stronger. This is my favorite of the family viewing options, and it’s one of my favorite spooky movies viewed this year. It’s so wonderfully character-driven and felt like I was getting a view into the world of a real family–a family I cared deeply about. Speaking of jump scares, there’s a well-earned one that made me squeak!
Watch the trailer / Options for viewing / IMDB Parental Guide / No Metascore

Perhaps best for 14-up due to language & violence:


The Dark (2005) — Rated R
In mourning over the tragic drowning of their daughter Sarah, James and Adèle are visited by Ebrill, a young girl who claims she died 60 years ago – and bears a startling resemblance to Sarah. Maria Bello and Sean Bean (!) star in this dark and creepy mystery set on the Welsh coast (but shot in Ireland, of course). It’s a good-looking film with lots of cool Gothic trappings, and yet a bit darker than the options listed above. Based on the novel Sheep, by Simon Maginn.
Watch the Trailer / Options for viewing / IMDB Parental Guide / No Metascore


Summer of ’84 — Not Rated
After suspecting that their police officer neighbor is a serial killer, a group of teenage friends spend their summer spying on him and gathering evidence, but as they get closer to discovering the truth, things get dangerous. Very reminiscent of Stranger Things, this film offers mystery and thrills without the paranormal content. Fair warning: crude language and teen boy humor abound, and the finale is grim.
Watch the Trailer / Options for Viewing / IMDB Parental Guide / Metascore: 57

Stay tuned for ghostly film recommendations!

Literary Walks: Lyme Regis

Dear reader, I meant to offer a “Tea and a Book” recommendation for June, but there was just too much to do in preparation for travel. I will try again later this month. In the meantime I thought I’d start a new feature on the blog — “Literary Walks.” I love to follow in the footsteps of authors and view the inspirations for their settings and conflicts. Who knows, perhaps I could collect enough material for a guidebook? We’ll see how it goes.

Today’s post is inspired by a setting shared by four of my favorite novels.
(Each image is linked to Goodreads)

Lyme Regis lies on the Dorset/Devon border in the south of England. I’ve borrowed a map provided by The Alexandra Hotel to help orient you to the town. (Just so you know, The Alexandra is a lovely place to stay, with two restaurants and numerous rooms that overlook the sea. They also offer a glorious afternoon tea.)


I suggest starting your walk on Silver Street at the Mariner’s Hotel, which once was known as Morley Cottage. Elizabeth Philpot, an enthusiastic fossil hunter featured in Tracy Chevalier’s Remarkable Creatures, lived here with her sisters. Continue on to Broad Street, the main shopping area, and browse the shops–you’ll find clothing, hiking supplies, jewelry, art, fossils, and more. You also might fortify yourself at one of the many restaurants.


Then walk along the Marine Parade to the stone jetty known as the Cobb and take special notice of “Granny’s Teeth,” the little steps that silly Louisa Musgrove leaps from in Persuasion. While on the Cobb also think of the mysterious Sarah Woodruff, the so-called “French Lieutenant’s Woman,” standing alone and staring out to sea in a way that thoroughly captivates Charles Smithson. Make time to visit the Lyme Regis Museum, formerly the site of Mary Anning‘s shop, to learn about the Jurassic coast as well Lyme’s history and literary connections.

There are at least two fine beaches for fossil hunting, but do keep the tide tables in mind. Monmouth Beach (see at the lower left on the map above) is always a good bet, and you can imagine yourself Mary Anning or Elizabeth Philpott as you search for ammonites and other specimens. This page gives all the details on Lyme’s beaches.


For me, the most intriguing aspect of Lyme Regis is the Undercliff. I will Let John Fowles explain in this passage from The French Lieutenant’s Woman:

There runs, between Lyme Regis and Axmouth six miles to the west, one of the strangest coastal landscapes in Southern England […] People have been lost in it for hours, and cannot believe, when they see on the map where they were lost, that their sense of isolation–and if the weather be bad, desolation–could have seemed so great.

The Undercliff–for this land is really the mile-long slope caused by the erosion of the ancient vertical cliff face–is very steep. Flat places are as rare as visitors in it. But this steepness in effect tilts it, and its vegetation, towards the sun; and it is this fact, together with the water from the countless springs that have caused the erosion, that lends the area its botanical strangeness–its wild arbutus and ilex and other trees rarely seen growing in England; its enormous ashes and beeches; its green Brazilian chasms choked with ivy and the liana of wild clematis; its bracken that grows seven, eight feet tall; its flowers that bloom a month earlier than anywhere else in the district. In summer it is the nearest this country can offer to a tropical jungle.

I love these images of Sarah in the Undercliff from the 1981 film.

If you’d like to know more, here is a more detailed description of one woman’s trek from Lyme Regis to Seaton through the Undercliff. As for us, it took a little over four hours to get to Seaton (including time for photos and a lunch break). Of course, you don’t have to walk the entire thing. I do, however, recommend a particular diversion off the main path that I learned about while reading Penelope Lively’s Whitbread Award-winning A Stitch in Time. In the book, the Lucas family invites Maria Foster and her parents to a “proper beach” that can only be accessed from the Undercliff path. The way proves precarious:

Maria put one foot slowly and carefully in front of the other, steadying herself with a hand on a sapling or jutting rock where possible. Once she skidded on some treacherous shale that slithered under her shoes, so that she sat down hard, bruising herself. It could have been worse. Below and out of sight, hair-raising cries from the other children suggested fatal accidents of one kind or another. […] At last they were all down and there, as promised, was a beach. Though not, at first sight, a beach very much different from any other except that, also as promised, there was no one else in sight.


In 2015 Steve and I found that beach, and Lively did not exaggerate the difficulty of the descent. But it was all worth it when we found what I now call “the secret beach” and enjoyed it all on our own for quite some time. (Yes, that rocky beach is tough to walk on, but the feeling of utter isolation in this magical landscape more than compensated for the strain on our ankles.)

Well, that’s at least a full day of walking for you when you visit Lyme Regis! Other things you might do that aren’t particularly literary–walk to Golden Cap, have a nice bathe in the sea (cold but so refreshing!), rent a kayak, go fishing for mackerel, and much more. Click here for more information.

I’m hoping to offer one more Literary Walk before we return, so please stay tuned!

2018 Spooky Film Recs, Part IV: Family Viewing

For my final “Spooky Films” post, I’m offering some suggestions for family viewing. If you’re new to the blog and have younger children, you might check my 2016 post that includes solidly PG films. If you have tweens and teens interested in watching horror, the following PG/PG-13 options might appeal. Of course, you are the best judge of what your kids can or can’t handle in a scary film.

As usual, all film synopses are from imdb.com.


Spirited Away (2001) — Rated PG
During her family’s move to the suburbs, a sullen 10-year-old girl wanders into a world ruled by gods, witches, and spirits, and where humans are changed into beasts.
You’re all probably way ahead of me on this one. I’d heard about it for years but didn’t think it was my sort of thing. Then I watched with a friend and her kiddos. Gosh! Such a lovely, haunting, and spooky film. “No Face” (seen above in the middle) now numbers among my very favorite film characters. Those in the know — are there any other spooky anime films I should track down?
Watch the trailer / available on DVD only (from various retailers) / Metascore: 96
(the highest IMDB metascore of any film I’ve recommended!)
Goth-o-Meter: medium-ish?


Down a Dark Hall (2018) — PG-13
A troubled teen named Kit Gordy is forced to join the exclusive Blackwood Boarding School, just to find herself trapped by dark forces around its mysterious headmistress, Madame Duret.
This one had me at “all-female boarding school.” Fans of Lois Duncan should get a kick out of it — the setting is properly Gothic and the cast (featuring Uma Thurman with a believable French accent) is strong. The atmosphere oozes with old-fashioned menace, but the students bring a modern edge to the “haunted boarding school” narrative. Lots of drama and even a little romance.
Watch the trailer / options for viewing / Metascore: 56
Goth-o-Meter: high


Our House (2018) — PG-13
A young genius accidentally invents a device that amplifies the paranormal activity within his family’s house, possibly bringing back the spirits of loved ones, and unleashing things far worse.
I like a little technology with my ghosts, especially when accidental contact occurs. The pacing in this one isn’t without its problems, but I found the family very appealing and right away I cared about their safety. You might call this a “modern domestic ghost story,” and I like that it offers mystery and chills without going too far with jump scares or violence.
Watch the trailer / options for viewing / Metascore: 45
(the lowest metascore of all my recs, but I really did think this was worth watching!)
Goth-o-Meter: medium to high


Beautiful Creatures (2013) — PG-13
Ethan longs to escape his small Southern town. He meets a mysterious new girl, Lena. Together, they uncover dark secrets about their respective families, their history and their town.
I read this book when it first came out and quite enjoyed it, but the trailers for the film turned me off. It all just looked waaaay over-the-top. But when I was searching for films to watch this year, this one came up again and again as a strong option. After all, it does have an incredible cast–Jeremy Irons, Viola Davis, Emmy Rossum, Eileen Atkins and Emma Thompson–but it’s Alden Ehrenreich and Alice Englert who make this movie work. If you can get past Ehrenreich’s Forrest Gump-voiceover at the beginning, you’ll see what I mean. They are both sympathetic and have great chemistry together. Yes, there are outrageous moments in this film, but overall I found it intriguing and satisfying — including the (somewhat abrupt) ending.
Watch the trailer / options for viewing / Metascore: 52
Goth-o-Meter: high


Happy Death Day (2017) — PG-13
A college student must relive the day of her murder over and over again, in a loop that will end only when she discovers her killer’s identity.
As I’ve said before, I don’t enjoy slasher films unless they are quirky and/or funny. This horror spin on Groundhog Day was exactly what I was looking for. I’ve seen it characterized as “relentlessly violent,” but I assure you that there’s not much blood/gore at all, and though the film does get the pulse racing, the tone is playful. It’s along the lines of the SCREAM movies, but with much less blood.
Watch the trailer / options for viewing / Metascore: 57
Goth-o-Meter: low

Here’s a list of other PG-13 Horror options, though I’m kind of horrified that The Ring is included. That one really got to me–I enjoyed it, but it’s more at the “disturbing” end of the spooky continuum. There are moments in that film I wish I could unsee.

Also keep in mind that two of the films mentioned earlier in my 2018 recs are PG-13 — A Quiet Place and Jurassic World: Fallen Kingdom. The Endless is unrated, but I think it would be appropriate for teens and mature tweens.

That’s it for 2018, folks! Happy Horror Viewing and REMEMBER, if at any point you wish to browse previous spooky film recs (going all the way back to 2012), click the tag “spooky film recs” in the list below–or in the sidebar–and scroll to your heart’s content.