Tag Archives: ghost films

Part I: Family Friendly SPOOKY Films

I’m launching this year’s festivities with a few movies the whole family might enjoy. Please check the Parental Guide for each title. If you’re new to the blog and have younger children, you might check my 2016 post that includes solidly PG films, and don’t forget last year’s family viewing options. If you have tweens and teens interested in watching horror, the following options might appeal. Of course, you are the best judge of what your kids can or can’t handle in a scary film.

PLEASE NOTE: if you crave 500 jump scares per film, you may be disappointed by my recommendations. For more context on this, check out Chris Stuckmann’s youtube video, The Problem with Horror Movies Today–he makes a great point.

As usual, all film synopses are from imdb.com.


The Hole in the Ground (2019) — Rated R (not sure why?)
A young mother living in the Irish countryside with her son suspects his increasingly disturbing behavior is linked to a mysterious sinkhole in the forest, and fears he may not be her son at all. This is a bit slow to start, perhaps, but your patience will be rewarded. You’ll also be pleased to see the ubiquitous and always delightful James Cosmo. This film is both familiar and unique, and I loved the setting.
Watch the trailer / Options for viewing / IMDB Parental Guide /
Metascore: 63


Wait Till Helen Comes (2016) — Rated TV-14
When a reconstructed family moves to a converted church in the country, 14-year-old Molly, must save her new troubled step-sister from a dangerous relationship with the desperate ghost of a young girl. Raise your hand if you loved this book by Mary Downing Hahn! I’ve read it twice, and I thought this adaptation was pretty strong–spooky and tense without being gruesome, vulgar, or gratuitously violent. Great family fare, but not recommended for the little ones.
Watch the trailer / Options for Viewing / IMDB Parental Guide / No metascore


The Witch in the Window (2018) — Not rated
When Simon brings his twelve year-old son, Finn, to rural Vermont to help flip an old farmhouse, they encounter the malicious spirit of Lydia, a previous owner. And now with every repair they make – she’s getting stronger. This is my favorite of the family viewing options, and it’s one of my favorite spooky movies viewed this year. It’s so wonderfully character-driven and felt like I was getting a view into the world of a real family–a family I cared deeply about. Speaking of jump scares, there’s a well-earned one that made me squeak!
Watch the trailer / Options for viewing / IMDB Parental Guide / No Metascore

Perhaps best for 14-up due to language & violence:


The Dark (2005) — Rated R
In mourning over the tragic drowning of their daughter Sarah, James and Adèle are visited by Ebrill, a young girl who claims she died 60 years ago – and bears a startling resemblance to Sarah. Maria Bello and Sean Bean (!) star in this dark and creepy mystery set on the Welsh coast (but shot in Ireland, of course). It’s a good-looking film with lots of cool Gothic trappings, and yet a bit darker than the options listed above. Based on the novel Sheep, by Simon Maginn.
Watch the Trailer / Options for viewing / IMDB Parental Guide / No Metascore


Summer of ’84 — Not Rated
After suspecting that their police officer neighbor is a serial killer, a group of teenage friends spend their summer spying on him and gathering evidence, but as they get closer to discovering the truth, things get dangerous. Very reminiscent of Stranger Things, this film offers mystery and thrills without the paranormal content. Fair warning: crude language and teen boy humor abound, and the finale is grim.
Watch the Trailer / Options for Viewing / IMDB Parental Guide / Metascore: 57

Stay tuned for ghostly film recommendations!

2018 Spooky Film Recs, Part IV: Family Viewing

For my final “Spooky Films” post, I’m offering some suggestions for family viewing. If you’re new to the blog and have younger children, you might check my 2016 post that includes solidly PG films. If you have tweens and teens interested in watching horror, the following PG/PG-13 options might appeal. Of course, you are the best judge of what your kids can or can’t handle in a scary film.

As usual, all film synopses are from imdb.com.


Spirited Away (2001) — Rated PG
During her family’s move to the suburbs, a sullen 10-year-old girl wanders into a world ruled by gods, witches, and spirits, and where humans are changed into beasts.
You’re all probably way ahead of me on this one. I’d heard about it for years but didn’t think it was my sort of thing. Then I watched with a friend and her kiddos. Gosh! Such a lovely, haunting, and spooky film. “No Face” (seen above in the middle) now numbers among my very favorite film characters. Those in the know — are there any other spooky anime films I should track down?
Watch the trailer / available on DVD only (from various retailers) / Metascore: 96
(the highest IMDB metascore of any film I’ve recommended!)
Goth-o-Meter: medium-ish?


Down a Dark Hall (2018) — PG-13
A troubled teen named Kit Gordy is forced to join the exclusive Blackwood Boarding School, just to find herself trapped by dark forces around its mysterious headmistress, Madame Duret.
This one had me at “all-female boarding school.” Fans of Lois Duncan should get a kick out of it — the setting is properly Gothic and the cast (featuring Uma Thurman with a believable French accent) is strong. The atmosphere oozes with old-fashioned menace, but the students bring a modern edge to the “haunted boarding school” narrative. Lots of drama and even a little romance.
Watch the trailer / options for viewing / Metascore: 56
Goth-o-Meter: high


Our House (2018) — PG-13
A young genius accidentally invents a device that amplifies the paranormal activity within his family’s house, possibly bringing back the spirits of loved ones, and unleashing things far worse.
I like a little technology with my ghosts, especially when accidental contact occurs. The pacing in this one isn’t without its problems, but I found the family very appealing and right away I cared about their safety. You might call this a “modern domestic ghost story,” and I like that it offers mystery and chills without going too far with jump scares or violence.
Watch the trailer / options for viewing / Metascore: 45
(the lowest metascore of all my recs, but I really did think this was worth watching!)
Goth-o-Meter: medium to high


Beautiful Creatures (2013) — PG-13
Ethan longs to escape his small Southern town. He meets a mysterious new girl, Lena. Together, they uncover dark secrets about their respective families, their history and their town.
I read this book when it first came out and quite enjoyed it, but the trailers for the film turned me off. It all just looked waaaay over-the-top. But when I was searching for films to watch this year, this one came up again and again as a strong option. After all, it does have an incredible cast–Jeremy Irons, Viola Davis, Emmy Rossum, Eileen Atkins and Emma Thompson–but it’s Alden Ehrenreich and Alice Englert who make this movie work. If you can get past Ehrenreich’s Forrest Gump-voiceover at the beginning, you’ll see what I mean. They are both sympathetic and have great chemistry together. Yes, there are outrageous moments in this film, but overall I found it intriguing and satisfying — including the (somewhat abrupt) ending.
Watch the trailer / options for viewing / Metascore: 52
Goth-o-Meter: high


Happy Death Day (2017) — PG-13
A college student must relive the day of her murder over and over again, in a loop that will end only when she discovers her killer’s identity.
As I’ve said before, I don’t enjoy slasher films unless they are quirky and/or funny. This horror spin on Groundhog Day was exactly what I was looking for. I’ve seen it characterized as “relentlessly violent,” but I assure you that there’s not much blood/gore at all, and though the film does get the pulse racing, the tone is playful. It’s along the lines of the SCREAM movies, but with much less blood.
Watch the trailer / options for viewing / Metascore: 57
Goth-o-Meter: low

Here’s a list of other PG-13 Horror options, though I’m kind of horrified that The Ring is included. That one really got to me–I enjoyed it, but it’s more at the “disturbing” end of the spooky continuum. There are moments in that film I wish I could unsee.

Also keep in mind that two of the films mentioned earlier in my 2018 recs are PG-13 — A Quiet Place and Jurassic World: Fallen Kingdom. The Endless is unrated, but I think it would be appropriate for teens and mature tweens.

That’s it for 2018, folks! Happy Horror Viewing and REMEMBER, if at any point you wish to browse previous spooky film recs (going all the way back to 2012), click the tag “spooky film recs” in the list below–or in the sidebar–and scroll to your heart’s content.

2018 Spooky Film Recs Part II: Ghostly Favorites

In this post I hope to inspire you to watch some ghost films that flew under the radar during the past couple of years. I’ve come to appreciate lower-budget/independent ghostly films because there’s much less reliance on expensive special effects and, in many cases, more appreciation of characterization and tension. If you’ve already seen or plan to watch any of the options suggested here, please let me know what you think!

As always, the brief synopses are from imdb.com.


The Lodgers (2017) — Rated R
1920, rural Ireland. Anglo Irish twins Rachel and Edward share a strange existence in their crumbling family estate.
This was right up my alley in the Gothic department–haunting and atmospheric if not truly frightening. (Seriously, if you prefer a fast-paced story with lots of jump scares, don’t bother with this one.) Charlotte Vega is quite good as dominant twin Rachel, but the true star of this film is Loftus Hall, a centuries-old (and reputedly haunted-in-real-life) Irish country house. While there is a strong fantasy element to the story, the script also takes into account the social and political turmoil in early 20th century Ireland. I would watch this one again–it’s so lovely to look at!
Watch the trailer / Options for streaming / Metascore: 52
Goth-o-Meter: very high


Marrowbone (2017) — Rated R
A young man and his three younger siblings, who have kept secret the death of their beloved mother in order to remain together, are plagued by a sinister presence in the sprawling manor in which they live.
Marrowbone offers so many of my favorite things: a gorgeous setting (supposedly the U.S. but actually filmed in Spain), a focus on characterization, moments of sweetness that balance the Gothic peril, and an ending that makes you want to go back to the beginning and watch all over again. (Random observation: this will only resonate with people of a certain age, but to me it’s almost like a horror version of Dear Lola, which was adapted to film as The Beniker Gang.) The film is not without flaws, but it’s very compelling overall and I will watch it again. Stranger Things fans will be pleased to see Charlie Heaton–and to hear his native English accent.
Watch the trailer / Options for streaming / Metascore: 63
Goth-o-Meter: high


Personal Shopper (2016) — Rated R
A personal shopper in Paris refuses to leave the city until she makes contact with her twin brother who previously died there. Her life becomes more complicated when a mysterious person contacts her via text message.
If you’re looking for a very unique sort of ghost story/mystery, this might fit the bill. It does require patience and an open mind, but the film really is rather fabulous. I re-watched several scenes afterwards and couldn’t stop thinking about it for days–I hadn’t expected to find Kristen Stewart so compelling. (Reviews are all over the place with this one–so it was reassuring that my favorite YouTube film reviewer, Chris Stuckmann, liked it as much as I did).
Watch the trailer / Options for streaming / Metascore: 77
Goth-o-Meter: medium (there are Gothic moments in this film, but overall I consider it to be more in the realm of Noir.)


The Keeping Hours (2017) — Rated PG-13
10 years after the death of their son, a divorced couple is suddenly reunited by supernatural events that offer them a chance at forgiveness.
This film must have gone straight to Netflix–it has no reviews from mainstream critics–so I went in with low expectations. You guys! It really got to me. First of all, fans of Lee Pace should watch–he is lovely and will break your heart in the best way. (He’s a native Oklahoman, y’all!) This film derives its eeriness more from grief and longing than jump scares. There are deliciously spooky bits, but nothing to give you nightmares. If you’re anything like me, you’ll cry and find it all very cathartic.
Watch the trailer / Options for streaming / No IMDB metascore — check Rotten Tomatoes
Goth-o-Meter: medium to high

***You might also consider:

Ghost Stories (2017) — Not Rated
Skeptical professor Phillip Goodman embarks on a trip to the terrifying after finding a file with details of three unexplained cases of apparitions. (Adapted from a play and featuring Martin Freeman in one of the vignettes.)
The three cases are interesting and spooky, but the frame narrative did not work for me.
Watch the trailer / Options for streaming / Metascore: 68
Goth-o-Meter: medium to high?

A Ghost Story (2017) — rated R
In this singular exploration of legacy, love, loss, and the enormity of existence, a recently deceased, white-sheeted ghost returns to his suburban home to try to reconnect with his bereft wife.
Not a “thrill-a-minute” sort of ghost movie. It is fascinating and quite moving, but perhaps a smidge pretentious? Your mileage may vary. (There is a cool tribute to Poltergeist at the mid-point. In fact, I was fascinated by this slideshow overview of the writer/director’s influences.)
Watch the trailer / Options for streaming / Metascore: 84
Goth-o-Meter: medium

Check back on Wednesday when I’ll be recommending “under the radar” ghost-free horror films. AND REMEMBER, if at any point you wish to browse previous spooky film recs (going all the way back to 2012), click the tag “spooky film recs” in the list below–or in the sidebar–and scroll to your heart’s content.

Pretty Little Distractions

The world is too much with me these days, my friends, and thus I find myself searching for solace in story. When my aging eyes are strained from work, I’m less enthused about escaping into a book; luckily, there have been plenty of satisfying/distracting stories to be found on the small screen lately.

Once upon a time I received eye rolls and sneers when I mentioned Hallmark movies (and perhaps there was a time when I sneered), but these days more and more of my friends are watching right along with me. I’ve found this year’s “Winterfest” offerings to be pretty strong. Of course there’s a formula, and we all know who is getting together by the end of the movie, but there’s some comfort to be derived from that, right? The above two films were particular favorites of mine — the dialogue was snappy and the chemistry between the leads fun to watch. (Note: Hallmark finally is introducing more diversity into their productions, which is great, but I think we’re all MORE than ready for diverse romantic leads, okay? Can we get on that soon?)

DVR ALERT: All four of the Winterfest movies will run this Saturday (1/27) starting at 1 EST. And coming very soon from Hallmark — the Valentine’s Day movies!

Too sappy for you? Well, let’s do a 180 with these options:

Lately I’ve become obsessed with the horror films of Mike Flanagan. (And yes, HE is the writer/director for the forthcoming Netflix adaptation of Shirley Jackson’s The Haunting of Hill House!) My obsession began when one of my favorite YouTube film reviewers, Chris Stuckmann, included Gerald’s Game in his list of favorite films of 2017. His recommendation, along with the fact that it’s a Stephen King story, prompted me to track it down immediately. You guys, the TENSION! It’s excruciating at times. But that tension, along with the performances from Carla Gugino and Bruce Greenwood, make this such a remarkable viewing experience. For me the film’s coda somewhat undercuts the overall effect, but your mileage may vary. Here’s what I love about Flanagan’s films — they are character-driven (always featuring strong women), thoughtfully cast, and do not rely overmuch on special effects or jump scares. Oculus, in my opinion, drags out a little long, but Karen Gillan gives an inspired performance as a young woman trying to prove, through a carefully conceived paranormal investigation (Eee, one of my favorite things in a horror movie!), that a cursed mirror killed her parents. Ouija: Origin of Evil started out so brilliantly with a widowed mother and her daughters adding a Ouija board to their seance scams. I was in horror HEAVEN. Things fell apart at the end, sadly, but perhaps this was due to the constraints of it being a prequel? I have quibbles with all three of the films, but I still enthusiastically recommend them to horror buffs. (Something to consider–Ouija: Origin of Evil is PG-13, but the other two are definitely more adult.)

ETA: Gerald’s Game and Oculus are available on Netflix, but I could only watch Ouija-Origin of Evil through a trial subscription to Cinemax (available through Amazon Prime).

Okay, so maybe you’re not quite up to a horror film at this moment. Don’t worry, I’ll mention the above films again in early October when I offer my annual horror recommendations. For now you might prefer something “in between” — not too sappy, not too dark and creepy.

How about this?

After mainlining the series Shetland, with angsty cutie-pie DI Jimmy Perez (played by perennial favorite Douglas Henshall), I thoroughly expected Vera, also based on novels by Ann Cleeves, to be “meh” by comparison. Well, I’m in the sixth season now and I think I love it MORE than Shetland. It all comes down to the performance by Brenda Blethyn. Honestly, I feel nearly the same about her as I do about Helen Mirren–I simply long to meet her and bask in her glory. Detective Chief Inspector Vera Stanhope is very real to me, and I adore her, and I love to watch the team come together under her somewhat cranky and impatient direction. There is darkness in the show, to be sure, and occasional moments of heartbreak, but Vera fights on and always solves the case. Bonus: we are treated to lovely shots of the Northumbrian moors and coastline.

ETA: Vera is available to watch through Acorn TV.

How about you? What have been your favorite TV distractions of late?

Spooky Film Recs for Halloween, part II (2017 edition)

The adventure continues…


Dark Signal (2016) — Unrated
The spirit of a murdered girl returns with a message for the staff of a local radio station.
Ghostly voices appearing during a radio broadcast? Yes, please! I’m a fan of Welsh actor Gareth David-Lloyd from his days on Torchwood, so of course I had to watch this one. Dark Signal is just as much slasher film as ghost story, and there’s hardly any subtlety to it, but it totally held my attention. Also, it briefly features James Cosmo, who is in every TV show and film you’ve ever loved, so why not give it a try? If there’s such a thing as a “ghostly slasher romp,” this is it. (No rating, but I would give it an “R” for language/violence/gore.)
Watch the Trailer (warning: it is cranked up to eleven!). Available from Netflix and for rent from Amazon. No meta score — see external reviews on imdb here.


Under the Shadow (2016) — PG-13
As a mother and daughter struggle to cope with the terrors of the post-revolution, war-torn Tehran of the 1980s, a mysterious evil begins to haunt their home.
This is the best reviewed film of my 2017 recommendations, and I enjoyed every second of it. A progressive Iranian woman denied the opportunity to continue her medical studies must accustom herself to stay-at-home mothering when her doctor husband is sent to the front lines. The bombing of Tehran grows increasingly violent, but she knows that taking her daughter to her in-laws will mean a loss of freedom. Does her resentment at being left behind (in more ways than one) explain the bad behavior of her daughter? Or is something else going on? Highly recommended, and very possibly an option for family viewing. Filmed in Persian but English subtitles available.
Watch the Trailer. Available from Netflix and for rent at Amazon. Metascore: 84


I Am the Pretty Thing that Lives in the House (2016) — Unrated
A young nurse takes care of an elderly author who lives in a haunted house.
This is my favorite of the new-to-me ghost films I’ve watched this year. From the very first line I wondered if this was based on a Shirley Jackson short story. (The title and the protagonist’s voice-over narration both reminded me of We Have Always Lived in the Castle.) But no, this was written and directed by Oz Perkins, son of the late Anthony Perkins, and once I figured that out it all made a certain sort of sense to me. I LOVED it. Warning: people who crave jump scares, gore, and a clear resolution will not like this film. It’s a slow burn of dread punctuated by occasional bursts of horror. Ruth Wilson (so good in Jane Eyre, Luther, and The Affair) offers a quirky and compelling performance. No rating, but solidly PG-13 in content.
Watch the Trailer. Available from Netflix. Metascore: 68

(Perkins’ first horror film, The Blackcoat’s Daughter, features more hallmarks of the genre — demonic possession, lots of blood/gore, surprising twist in the resolution — but I cared less about the characters in that one. RogerEbert.com agrees: “In spite of some compelling performances and a consistent mood, [Blackcoat’s Daughter] fails to ground any of these aesthetic flourishes in story or emotion.” It’s a good film and worth watching, but I am the Pretty Thing was much more to my taste.)

Stay tuned for the final installment of my 2017 film recs, in which I’ll be sharing non-ghostly horror options.

AND REMEMBER — if at any point you want to browse my previous spooky film recs, simply click the tag “spooky film recs” in the tags list below or in the sidebar! Easy Peasy.