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2018 Spooky Film Recs, Part IV: Family Viewing

For my final “Spooky Films” post, I’m offering some suggestions for family viewing. If you’re new to the blog and have younger children, you might check my 2016 post that includes solidly PG films. If you have tweens and teens interested in watching horror, the following PG/PG-13 options might appeal. Of course, you are the best judge of what your kids can or can’t handle in a scary film.

As usual, all film synopses are from imdb.com.


Spirited Away (2001) — Rated PG
During her family’s move to the suburbs, a sullen 10-year-old girl wanders into a world ruled by gods, witches, and spirits, and where humans are changed into beasts.
You’re all probably way ahead of me on this one. I’d heard about it for years but didn’t think it was my sort of thing. Then I watched with a friend and her kiddos. Gosh! Such a lovely, haunting, and spooky film. “No Face” (seen above in the middle) now numbers among my very favorite film characters. Those in the know — are there any other spooky anime films I should track down?
Watch the trailer / available on DVD only (from various retailers) / Metascore: 96
(the highest IMDB metascore of any film I’ve recommended!)
Goth-o-Meter: medium-ish?


Down a Dark Hall (2018) — PG-13
A troubled teen named Kit Gordy is forced to join the exclusive Blackwood Boarding School, just to find herself trapped by dark forces around its mysterious headmistress, Madame Duret.
This one had me at “all-female boarding school.” Fans of Lois Duncan should get a kick out of it — the setting is properly Gothic and the cast (featuring Uma Thurman with a believable French accent) is strong. The atmosphere oozes with old-fashioned menace, but the students bring a modern edge to the “haunted boarding school” narrative. Lots of drama and even a little romance.
Watch the trailer / options for viewing / Metascore: 56
Goth-o-Meter: high


Our House (2018) — PG-13
A young genius accidentally invents a device that amplifies the paranormal activity within his family’s house, possibly bringing back the spirits of loved ones, and unleashing things far worse.
I like a little technology with my ghosts, especially when accidental contact occurs. The pacing in this one isn’t without its problems, but I found the family very appealing and right away I cared about their safety. You might call this a “modern domestic ghost story,” and I like that it offers mystery and chills without going too far with jump scares or violence.
Watch the trailer / options for viewing / Metascore: 45
(the lowest metascore of all my recs, but I really did think this was worth watching!)
Goth-o-Meter: medium to high


Beautiful Creatures (2013) — PG-13
Ethan longs to escape his small Southern town. He meets a mysterious new girl, Lena. Together, they uncover dark secrets about their respective families, their history and their town.
I read this book when it first came out and quite enjoyed it, but the trailers for the film turned me off. It all just looked waaaay over-the-top. But when I was searching for films to watch this year, this one came up again and again as a strong option. After all, it does have an incredible cast–Jeremy Irons, Viola Davis, Emmy Rossum, Eileen Atkins and Emma Thompson–but it’s Alden Ehrenreich and Alice Englert who make this movie work. If you can get past Ehrenreich’s Forrest Gump-voiceover at the beginning, you’ll see what I mean. They are both sympathetic and have great chemistry together. Yes, there are outrageous moments in this film, but overall I found it intriguing and satisfying — including the (somewhat abrupt) ending.
Watch the trailer / options for viewing / Metascore: 52
Goth-o-Meter: high


Happy Death Day (2017) — PG-13
A college student must relive the day of her murder over and over again, in a loop that will end only when she discovers her killer’s identity.
As I’ve said before, I don’t enjoy slasher films unless they are quirky and/or funny. This horror spin on Groundhog Day was exactly what I was looking for. I’ve seen it characterized as “relentlessly violent,” but I assure you that there’s not much blood/gore at all, and though the film does get the pulse racing, the tone is playful. It’s along the lines of the SCREAM movies, but with much less blood.
Watch the trailer / options for viewing / Metascore: 57
Goth-o-Meter: low

Here’s a list of other PG-13 Horror options, though I’m kind of horrified that The Ring is included. That one really got to me–I enjoyed it, but it’s more at the “disturbing” end of the spooky continuum. There are moments in that film I wish I could unsee.

Also keep in mind that two of the films mentioned earlier in my 2018 recs are PG-13 — A Quiet Place and Jurassic World: Fallen Kingdom. The Endless is unrated, but I think it would be appropriate for teens and mature tweens.

That’s it for 2018, folks! Happy Horror Viewing and REMEMBER, if at any point you wish to browse previous spooky film recs (going all the way back to 2012), click the tag “spooky film recs” in the list below–or in the sidebar–and scroll to your heart’s content.

2018 Spooky Film Recs, Part III: Ghost-free Horror

Today you’ll find paranormal, sci-fi, slasher, and post-apocalyptic films, but there’s nary a ghost in the bunch! (As far as I could tell, at least.)

As always, the brief synopses are from imdb.com.


The Ritual (2017) — Rated: TV-MA
A group of college friends reunite for a trip to the forest, but encounter a menacing presence in the woods that is stalking them.
Add a paranormal twist to Deliverance**, set the story in northern Sweden, and you have a very EERIE film! Great cast led by Rafe Spall, but also including Robert James-Collier (Downton Abbey’s conniving Thomas) in a strong and sympathetic role.
**Those who have seen Deliverance please note: The Ritual is a freaky film, but not Ned Beatty-in-peril freaky, okay? I wouldn’t do that to you.
Watch the trailer / Options for viewing / Metascore: 57
Goth-o-Meter: medium


The Endless (2017) — Not rated
As kids, they escaped a UFO death cult. Now, two adult brothers seek answers after an old videotape surfaces and brings them back to where they began.
The director and writer of this film also play the two brothers, and their on-film relationship brought to mind Sam and Dean from Supernatural. I really, really enjoyed this story — so much that I sought out Benson and Moorhead’s earlier film, Resolution, featuring a pair of characters that have a cameo in this film. I’m kinda glad that I watched them in reverse order, and I look forward to more stories from this writer/director duo.
Watch the trailer / Options for viewing / Metascore: 80
Goth-o-Meter: medium


Better Watch Out (2016) — Rated R
On a quiet suburban street, a babysitter must defend a twelve-year-old boy from intruders, only to discover it’s far from a normal home invasion.
I expected this to be typical slasher fare, but there is a twist — that’s why I’m sharing a clip rather than the official trailer. I typically don’t enjoy slasher films unless they are quirky and/or satirical. This one definitely has its moments.
Watch a clip / Options for viewing / Metascore: 67
Goth-o-Meter: low to medium?


Train to Busan (2016) — Rated TV-MA
While a zombie virus breaks out in South Korea, passengers struggle to survive on the train from Seoul to Busan.
This film has appeared on so many “best horror” lists, but I resisted due to zombie fatigue. (I blame The Walking Dead.) However, I finally decided to give it a try, and it might be my favorite spooky film viewed this year. With its nuanced characters, gut-wrenching tension, and impressive special effects, Train to Busan is a fresh and poignant take on the “zombie apocalypse” theme.
Watch the trailer / Options for viewing / Metascore: 72
Goth-o-Meter: low


The Autopsy of Jane Doe (2016) — Rated R
A father and son, both coroners, are pulled into a complex mystery while attempting to identify the body of a young woman, who was apparently harboring dark secrets.
I can’t think of any other movie quite like this spooky mystery set in a morgue. The chemistry between Brian Cox and Emile Hirsche, playing father and son, was the most appealing thing about it. Since the plot revolves around an autopsy, you know it will be a special sort of gruesome. Consider that fair warning!
Watch the trailer / Options for viewing / Metascore: 65
Goth-o-Meter: medium

***You might also consider:

Wildling (2018) — Rated R
A blossoming teenager uncovers the dark secret behind her traumatic childhood.
A new spin on the werewolf story, but perhaps it goes a bit off the rails in the final act? If you watch, I’d be interested to know what you think.
Watch the trailer / Options for viewing / Metascore: 58

It Comes at Night (2017) — Rated R
Secure within a desolate home as an unnatural threat terrorizes the world, a man has established a tenuous domestic order with his wife and son. Then a desperate young family arrives seeking refuge.
This tense and claustrophobic story probably won’t appeal to those seeking monsters and jump scares. More psychological thriller than horror, this is another film from producer/distributor A24, which also brought us The Witch, Hereditary, and The Blackcoat’s Daughter.
Watch the trailer / Options for viewing / Metascore: 78

Check back on Monday when I’ll be recommending “family viewing” horror film options. AND REMEMBER, if at any point you wish to browse previous spooky film recs (going all the way back to 2012), click the tag “spooky film recs” in the list below–or in the sidebar–and scroll to your heart’s content.

2018 Spooky Film Recs Part II: Ghostly Favorites

In this post I hope to inspire you to watch some ghost films that flew under the radar during the past couple of years. I’ve come to appreciate lower-budget/independent ghostly films because there’s much less reliance on expensive special effects and, in many cases, more appreciation of characterization and tension. If you’ve already seen or plan to watch any of the options suggested here, please let me know what you think!

As always, the brief synopses are from imdb.com.


The Lodgers (2017) — Rated R
1920, rural Ireland. Anglo Irish twins Rachel and Edward share a strange existence in their crumbling family estate.
This was right up my alley in the Gothic department–haunting and atmospheric if not truly frightening. (Seriously, if you prefer a fast-paced story with lots of jump scares, don’t bother with this one.) Charlotte Vega is quite good as dominant twin Rachel, but the true star of this film is Loftus Hall, a centuries-old (and reputedly haunted-in-real-life) Irish country house. While there is a strong fantasy element to the story, the script also takes into account the social and political turmoil in early 20th century Ireland. I would watch this one again–it’s so lovely to look at!
Watch the trailer / Options for streaming / Metascore: 52
Goth-o-Meter: very high


Marrowbone (2017) — Rated R
A young man and his three younger siblings, who have kept secret the death of their beloved mother in order to remain together, are plagued by a sinister presence in the sprawling manor in which they live.
Marrowbone offers so many of my favorite things: a gorgeous setting (supposedly the U.S. but actually filmed in Spain), a focus on characterization, moments of sweetness that balance the Gothic peril, and an ending that makes you want to go back to the beginning and watch all over again. (Random observation: this will only resonate with people of a certain age, but to me it’s almost like a horror version of Dear Lola, which was adapted to film as The Beniker Gang.) The film is not without flaws, but it’s very compelling overall and I will watch it again. Stranger Things fans will be pleased to see Charlie Heaton–and to hear his native English accent.
Watch the trailer / Options for streaming / Metascore: 63
Goth-o-Meter: high


Personal Shopper (2016) — Rated R
A personal shopper in Paris refuses to leave the city until she makes contact with her twin brother who previously died there. Her life becomes more complicated when a mysterious person contacts her via text message.
If you’re looking for a very unique sort of ghost story/mystery, this might fit the bill. It does require patience and an open mind, but the film really is rather fabulous. I re-watched several scenes afterwards and couldn’t stop thinking about it for days–I hadn’t expected to find Kristen Stewart so compelling. (Reviews are all over the place with this one–so it was reassuring that my favorite YouTube film reviewer, Chris Stuckmann, liked it as much as I did).
Watch the trailer / Options for streaming / Metascore: 77
Goth-o-Meter: medium (there are Gothic moments in this film, but overall I consider it to be more in the realm of Noir.)


The Keeping Hours (2017) — Rated PG-13
10 years after the death of their son, a divorced couple is suddenly reunited by supernatural events that offer them a chance at forgiveness.
This film must have gone straight to Netflix–it has no reviews from mainstream critics–so I went in with low expectations. You guys! It really got to me. First of all, fans of Lee Pace should watch–he is lovely and will break your heart in the best way. (He’s a native Oklahoman, y’all!) This film derives its eeriness more from grief and longing than jump scares. There are deliciously spooky bits, but nothing to give you nightmares. If you’re anything like me, you’ll cry and find it all very cathartic.
Watch the trailer / Options for streaming / No IMDB metascore — check Rotten Tomatoes
Goth-o-Meter: medium to high

***You might also consider:

Ghost Stories (2017) — Not Rated
Skeptical professor Phillip Goodman embarks on a trip to the terrifying after finding a file with details of three unexplained cases of apparitions. (Adapted from a play and featuring Martin Freeman in one of the vignettes.)
The three cases are interesting and spooky, but the frame narrative did not work for me.
Watch the trailer / Options for streaming / Metascore: 68
Goth-o-Meter: medium to high?

A Ghost Story (2017) — rated R
In this singular exploration of legacy, love, loss, and the enormity of existence, a recently deceased, white-sheeted ghost returns to his suburban home to try to reconnect with his bereft wife.
Not a “thrill-a-minute” sort of ghost movie. It is fascinating and quite moving, but perhaps a smidge pretentious? Your mileage may vary. (There is a cool tribute to Poltergeist at the mid-point. In fact, I was fascinated by this slideshow overview of the writer/director’s influences.)
Watch the trailer / Options for streaming / Metascore: 84
Goth-o-Meter: medium

Check back on Wednesday when I’ll be recommending “under the radar” ghost-free horror films. AND REMEMBER, if at any point you wish to browse previous spooky film recs (going all the way back to 2012), click the tag “spooky film recs” in the list below–or in the sidebar–and scroll to your heart’s content.

Spooky Film Recs for Halloween, part III (2017 edition)

The adventure concludes!

I tend to gravitate toward ghost films, but from time to time other forms of horror tempt me. So if you’re looking for a ghost-free option, here are three films for your consideration:


The Devil’s Candy (2015) — Unrated
A struggling painter is possessed by satanic forces after he and his young family move into their dream home in rural Texas.
After finding this on several “best horror” lists I decided to branch out a little from my usual ghostly fare. Imagine my surprise when I recognized gentle Coyote Bernstein from Grace & Frankie playing the tormented hero! (Can we all get the name of the trainer who prepped Ethan Embry for his shirtless scenes, please?) A man’s struggle with artistic integrity clashes with his obligations as a father, and the way in which the conflict evolves makes for a very tense–at times gut wrenching–viewing experience. (BTW: I happened upon this youtube review and I agree with everything this guy says about The Devil’s Candy. But I can’t decide if I want you to watch the review before or after viewing the film. Maybe it’s better NOT to know too much before watching?) The Devil’s Candy is unrated but I’d give it a strong R for violence, gore, and disturbing content.
Watch the trailer (a bit OTT). Available on Netflix. Metascore: 72


The Girl with All the Gifts (2016) — rated R
A scientist and a teacher living in a dystopian future embark on a journey of survival with a special young girl named Melanie.
I devoured (heh) M.R. Carey’s novel a couple of years ago, so of course I noticed the departures from the text and missed the character development while watching the film. Still, I think it holds up as its own thing, particularly because of the strong performances. (Special thumbs up for Sennia Nanua and the always brilliant Paddy Considine.) If you’re looking for a fresh entry in the post-apocalyptic genre, I recommend this film. And if you like it, please read the book!
Watch the trailer (or don’t — it’s spoils more than I’d prefer). Available on Amazon Prime and on Netflix (DVD only). Metascore: 67


The Invitation (2015) — Unrated
While attending a dinner party at his former home, a man thinks his ex-wife and her new husband have sinister intentions for their guests.
This is one of those films where I think the less I say the better, so this will be brief. Two years after a terrible tragedy, old friends gather. But the hosts have a mysterious agenda, and our protagonist (who bears an uncanny resemblance to Tom Hardy — I’m not complaining!) suspects a dark purpose lurks behind their seductive hospitality. Deliciously eerie and tense! The Invitation is unrated, but I’d give it an R for violence and adult content.
Watch the trailer. Available on Netflix. Metascore: 72

That’s it for this year. Feel free to share your Horror recommendations in the comments. Wishing you heaps of happy horror viewing this Halloween!

AND REMEMBER — if at any point you want to browse my previous spooky film recs (which go all the way back to 2012), simply click the tag “spooky film recs” in the tags list below or in the sidebar! Easy Peasy.

Spooky Film Recs for Halloween, part II (2017 edition)

The adventure continues…


Dark Signal (2016) — Unrated
The spirit of a murdered girl returns with a message for the staff of a local radio station.
Ghostly voices appearing during a radio broadcast? Yes, please! I’m a fan of Welsh actor Gareth David-Lloyd from his days on Torchwood, so of course I had to watch this one. Dark Signal is just as much slasher film as ghost story, and there’s hardly any subtlety to it, but it totally held my attention. Also, it briefly features James Cosmo, who is in every TV show and film you’ve ever loved, so why not give it a try? If there’s such a thing as a “ghostly slasher romp,” this is it. (No rating, but I would give it an “R” for language/violence/gore.)
Watch the Trailer (warning: it is cranked up to eleven!). Available from Netflix and for rent from Amazon. No meta score — see external reviews on imdb here.


Under the Shadow (2016) — PG-13
As a mother and daughter struggle to cope with the terrors of the post-revolution, war-torn Tehran of the 1980s, a mysterious evil begins to haunt their home.
This is the best reviewed film of my 2017 recommendations, and I enjoyed every second of it. A progressive Iranian woman denied the opportunity to continue her medical studies must accustom herself to stay-at-home mothering when her doctor husband is sent to the front lines. The bombing of Tehran grows increasingly violent, but she knows that taking her daughter to her in-laws will mean a loss of freedom. Does her resentment at being left behind (in more ways than one) explain the bad behavior of her daughter? Or is something else going on? Highly recommended, and very possibly an option for family viewing. Filmed in Persian but English subtitles available.
Watch the Trailer. Available from Netflix and for rent at Amazon. Metascore: 84


I Am the Pretty Thing that Lives in the House (2016) — Unrated
A young nurse takes care of an elderly author who lives in a haunted house.
This is my favorite of the new-to-me ghost films I’ve watched this year. From the very first line I wondered if this was based on a Shirley Jackson short story. (The title and the protagonist’s voice-over narration both reminded me of We Have Always Lived in the Castle.) But no, this was written and directed by Oz Perkins, son of the late Anthony Perkins, and once I figured that out it all made a certain sort of sense to me. I LOVED it. Warning: people who crave jump scares, gore, and a clear resolution will not like this film. It’s a slow burn of dread punctuated by occasional bursts of horror. Ruth Wilson (so good in Jane Eyre, Luther, and The Affair) offers a quirky and compelling performance. No rating, but solidly PG-13 in content.
Watch the Trailer. Available from Netflix. Metascore: 68

(Perkins’ first horror film, The Blackcoat’s Daughter, features more hallmarks of the genre — demonic possession, lots of blood/gore, surprising twist in the resolution — but I cared less about the characters in that one. RogerEbert.com agrees: “In spite of some compelling performances and a consistent mood, [Blackcoat’s Daughter] fails to ground any of these aesthetic flourishes in story or emotion.” It’s a good film and worth watching, but I am the Pretty Thing was much more to my taste.)

Stay tuned for the final installment of my 2017 film recs, in which I’ll be sharing non-ghostly horror options.

AND REMEMBER — if at any point you want to browse my previous spooky film recs, simply click the tag “spooky film recs” in the tags list below or in the sidebar! Easy Peasy.