Category Archives: Watching

Spooky Film Recs for Halloween, part III (2017 edition)

The adventure concludes!

I tend to gravitate toward ghost films, but from time to time other forms of horror tempt me. So if you’re looking for a ghost-free option, here are three films for your consideration:


The Devil’s Candy (2015) — Unrated
A struggling painter is possessed by satanic forces after he and his young family move into their dream home in rural Texas.
After finding this on several “best horror” lists I decided to branch out a little from my usual ghostly fare. Imagine my surprise when I recognized gentle Coyote Bernstein from Grace & Frankie playing the tormented hero! (Can we all get the name of the trainer who prepped Ethan Embry for his shirtless scenes, please?) A man’s struggle with artistic integrity clashes with his obligations as a father, and the way in which the conflict evolves makes for a very tense–at times gut wrenching–viewing experience. (BTW: I happened upon this youtube review and I agree with everything this guy says about The Devil’s Candy. But I can’t decide if I want you to watch the review before or after viewing the film. Maybe it’s better NOT to know too much before watching?) The Devil’s Candy is unrated but I’d give it a strong R for violence, gore, and disturbing content.
Watch the trailer (a bit OTT). Available on Netflix. Metascore: 72


The Girl with All the Gifts (2016) — rated R
A scientist and a teacher living in a dystopian future embark on a journey of survival with a special young girl named Melanie.
I devoured (heh) M.R. Carey’s novel a couple of years ago, so of course I noticed the departures from the text and missed the character development while watching the film. Still, I think it holds up as its own thing, particularly because of the strong performances. (Special thumbs up for Sennia Nanua and the always brilliant Paddy Considine.) If you’re looking for a fresh entry in the post-apocalyptic genre, I recommend this film. And if you like it, please read the book!
Watch the trailer (or don’t — it’s spoils more than I’d prefer). Available on Amazon Prime and on Netflix (DVD only). Metascore: 67


The Invitation (2015) — Unrated
While attending a dinner party at his former home, a man thinks his ex-wife and her new husband have sinister intentions for their guests.
This is one of those films where I think the less I say the better, so this will be brief. Two years after a terrible tragedy, old friends gather. But the hosts have a mysterious agenda, and our protagonist (who bears an uncanny resemblance to Tom Hardy — I’m not complaining!) suspects a dark purpose lurks behind their seductive hospitality. Deliciously eerie and tense! The Invitation is unrated, but I’d give it an R for violence and adult content.
Watch the trailer. Available on . Metascore: 72

That’s it for this year. Feel free to share your Horror recommendations in the comments. Wishing you heaps of happy horror viewing this Halloween!

AND REMEMBER — if at any point you want to browse my previous spooky film recs (which go all the way back to 2012), simply click the tag “spooky film recs” in the tags list below or in the sidebar! Easy Peasy.

Spooky Film Recs for Halloween, part II (2017 edition)

The adventure continues…


Dark Signal (2016) — Unrated
The spirit of a murdered girl returns with a message for the staff of a local radio station.
Ghostly voices appearing during a radio broadcast? Yes, please! I’m a fan of Welsh actor Gareth David-Lloyd from his days on Torchwood, so of course I had to watch this one. Dark Signal is just as much slasher film as ghost story, and there’s hardly any subtlety to it, but it totally held my attention. Also, it briefly features James Cosmo, who is in every TV show and film you’ve ever loved, so why not give it a try? If there’s such a thing as a “ghostly slasher romp,” this is it. (No rating, but I would give it an “R” for language/violence/gore.)
Watch the Trailer (warning: it is cranked up to eleven!). Available from Netflix and for rent from Amazon. No meta score — see external reviews on imdb here.


Under the Shadow (2016) — PG-13
As a mother and daughter struggle to cope with the terrors of the post-revolution, war-torn Tehran of the 1980s, a mysterious evil begins to haunt their home.
This is the best reviewed film of my 2017 recommendations, and I enjoyed every second of it. A progressive Iranian woman denied the opportunity to continue her medical studies must accustom herself to stay-at-home mothering when her doctor husband is sent to the front lines. The bombing of Tehran grows increasingly violent, but she knows that taking her daughter to her in-laws will mean a loss of freedom. Does her resentment at being left behind (in more ways than one) explain the bad behavior of her daughter? Or is something else going on? Highly recommended, and very possibly an option for family viewing. Filmed in Persian but English subtitles available.
Watch the Trailer. Available from Netflix and for rent at Amazon. Metascore: 84


I Am the Pretty Thing that Lives in the House (2016) — Unrated
A young nurse takes care of an elderly author who lives in a haunted house.
This is my favorite of the new-to-me ghost films I’ve watched this year. From the very first line I wondered if this was based on a Shirley Jackson short story. (The title and the protagonist’s voice-over narration both reminded me of We Have Always Lived in the Castle.) But no, this was written and directed by Oz Perkins, son of the late Anthony Perkins, and once I figured that out it all made a certain sort of sense to me. I LOVED it. Warning: people who crave jump scares, gore, and a clear resolution will not like this film. It’s a slow burn of dread punctuated by occasional bursts of horror. Ruth Wilson (so good in Jane Eyre, Luther, and The Affair) offers a quirky and compelling performance. No rating, but solidly PG-13 in content.
Watch the Trailer. Available from Netflix. Metascore: 68

(Perkins’ first horror film, The Blackcoat’s Daughter, features more hallmarks of the genre — demonic possession, lots of blood/gore, surprising twist in the resolution — but I cared less about the characters in that one. RobertEbert.com agrees: “In spite of some compelling performances and a consistent mood, [Blackcoat’s Daughter] fails to ground any of these aesthetic flourishes in story or emotion.” It’s a good film and worth watching, but I am the Pretty Thing was much more to my taste.)

Stay tuned for the final installment of my 2017 film recs, in which I’ll be sharing non-ghostly horror options.

AND REMEMBER — if at any point you want to browse my previous spooky film recs, simply click the tag “spooky film recs” in the tags list below or in the sidebar! Easy Peasy.

Spooky Film Recs for Halloween, part I (2017 edition)

It’s that time of year when I voraciously consume recent (or new-to-me) horror films in hopes of sharing my favorites with you — oh what fun I have! If you are a horror fan, you’ve probably seen most of the recent mainstream options. However, there are plenty of lesser known films waiting to give you goosebumps, and I’ll feature a few of them today and next week.

Sadly, I’ve only seen two horror films in the theater this year: Get Out (huge thumbs up for this one–more about tension than horror) and Annabelle: Creation (Bleh–I’m not a fan of the “jumpscares on a platter” brand of horror). For a mainstream Gothic option, I highly recommend Sofia Coppola’s gorgeously haunting The Beguiled (a vast improvement upon the 1971 Clint Eastwood version, in my opinion, though perhaps not as true to the novel).

And now I offer some lesser-known horror films for your consideration:


The Blackwell Ghost (2017) — Unrated
A filmmaker tries to prove that ghosts are real but soon regrets his intentions after he finds himself being terrorized in a haunted house by a ghost with a dark past.

There is no IMDB listing for this, and therefore no rating or metascore. I’m convinced this is a mockumentary, but it’s realistic enough to have inspired at least one paranormal researcher to investigate it. (Although this investigation could have been part of the promo?) I happen to LOVE films about paranormal investigations, and I prefer fictional representations to actual ghost hunter shows, which alternately embarrass and bore me. This film is only an hour long, and I found it charming, funny, and legitimately spooky. It didn’t terrify me, but I experienced actual, sustained GOOSEBUMPS, and you know by this point I am terribly jaded regarding horror films. This is the kind of film I wish there were more of–engaging characters, spooky setting, and a reliance on tension rather than jump scares. I would give it a PG rating for a bit of profanity. No sex/violence/gore. (Teachers–this one could be fun to watch in a high school film class!)
Watch the trailer. Available on Amazon (free for Prime members).


A Dark Song (2016) — Unrated
A determined young woman and a damaged occultist risk their lives and souls to perform a dangerous ritual that will grant them what they want.

Found this recommended at Vulture’s Best Horror Movies of 2017 (So far). First of all, it was shot at a Welsh country house, so if nothing else you’ll enjoy the scenery. I appreciated how the film perfectly enacts the “emotional wound” sort of story journey–for that very reason, however, it’s not an easy film to watch. If something along the lines of “Extreme Bootcamp for Desperate Occultists” appeals to you, you might appreciate this. It is unrated, but I would give it a solid R for adult content, brief nudity, and mild gore. This isn’t a “fun” horror film, but it is beautifully shot, wonderfully atmospheric, and interesting as a character study.
Watch the Trailer. Available at Netflix and for rent at Amazon. Metascore: 71


The Possession (2012) — Rated PG-13
A young girl buys an antique box at a yard sale, unaware that inside the collectible lives a malicious ancient spirit. The girl’s father teams with his ex-wife to find a way to end the curse upon their child.

I found a reference to this while researching dybbuks and was surprised I’d never heard of it. It isn’t a great film, but it does spend a good amount of time on character development and offers nuanced performances from Jeffrey Dean Morgan, Kyra Sedgwick, and the young actresses who play their daughters. Yes, there are hokey and/or predictable moments, but there are some truly spine-chilling ones, as well. Go in with low expectations, perhaps?
Watch the trailer. Available on Amazon to rent or buy. Metascore: 45 (rather low, but Roger Ebert gave it 3.5 stars out of 4. And it’s Jeffrey Dean Morgan and Kyra Sedgwick!)

Stay tuned — more recommendations coming on Tuesday!

AND REMEMBER — if at any point you want to browse my previous spooky film recs (dating all the way back to 2012), simply click the tag “spooky film recs” in the tags list below or in the sidebar! Easy Peasy.

TV Tuesday: Kurt Seyit & Sura

Recently I discovered Willow & Thatch, a blog that recommends period films and television series. That discovery alone was worth a blog post, but one of their recommendations particularly caught my fancy — a Turkish historical romance (with subtitles) about star-crossed lovers during WWI. All the episodes are available on Netflix, so I watched the first one out of curiosity.

And now (five episodes in) I can’t stop thinking about it.


I mean, really!

Before you go rushing to Netflix, however, I have to tell you a few things. Kurt Seyit & Sura is a SOAP OPERA, rife with heaving bosoms, extended reaction shots, soft-focus fantasy/dream sequences, and quite a bit of figurative mustache twirling from the baddies. (Petro has a mustache perfect for ACTUAL twirling, but thank goodness he is more subtle than that. I kinda love him.) Also, the heroine is the classic swoony, helpless female from Gothic romance. She has moments where I connect to her, but all too often she is staring dewy-eyed at Seyit or into the camera and I find myself wishing she’d get more of a life.

All that said, I am seriously becoming obsessed. The show is beautiful to look at, it has a lovely focus on family and friendship, the hero is gorgeous and intense (like a Turkish Chris Hemsworth with a little Chris Evans thrown in, maybe?), the history is fascinating, and I just want to devour it all whole. Apparently it’s based on a real story. And though it’s intensely romantic, it’s solidly PG–so despite all the romantic “heaving,” you don’t have to worry about the kids walking in and getting an eyeful of actual bosom or backside. 😉

Perhaps I should include a synopsis? This one from Wikipedia, though not elegantly translated, will do:

The adventures of two people in love who broke away from their magnificent lives in Russia and were dragged to Istanbul. The journey of Kurt Seyit (Kıvanç Tatlıtuğ), a lieutenant from Crimea, and Şura (Farah Zeynep Abdullah), the beautiful daughter of a noble Russian family, from the days of magnificence to the Carpathian front line, from the riots to revolution, from Alushta to occupied Istanbul, to Pera in the 1920’s, is in a sense the journey of their love.

If you want to know more and/or need more persuading, check out 7 Reasons to Watch Kurt Seyit & Sura, though I recommend skipping down to the actual list in order to avoid spoilers.

And finally, a little more of Seyit the Wolf to entice you:


Floppy-hair Seyit


Soldier Seyit

Tea with Jane Eyre

Charlotte Bronte’s 200th birthday last year inspired me to re-read Jane Eyre, and I decided to make this part of my Read Harder Challenge by watching two film adaptations for comparison to the original text. I’d been meaning to re-watch the 2006 BBC version with Toby Stephens and Ruth Wilson, and I’m always eager to watch the 2011 theatrical version with Michael Fassbender and Mia Wasikowska. What a pleasure to read the book*, watch both adaptations and compare! It also was great fun to pair the book with tea and a sweet treat, as you’ll see below.

(*Actually, I alternated between reading the e-book and listening to Thandie Newton’s spectacular audio performance.)


I’d forgotten that both the 2006 and 2011 adaptations were filmed at Haddon Hall in Derbyshire (as was the 1996 Franco Zeffirelli version with William Hurt and Charlotte Gainsbourg!). I’ve visited Haddon Hall in both the summer and at Christmas time, and it’s one of my favorite old piles in all of England. It seems perfect for Thornfield Hall–castellated and gloomy in a Gothically romantic way, also boasting a rushing stream and lovely terraced gardens. The 2006 version makes a little more use of the Haddon Hall interiors, whereas the 2011 version uses Broughton Castle (another lovely place to visit!) for many of the interior shots.


So, which adaptation did I like better? The 2011 adaptation will always be my favorite, but the 2006 TV movie is quite good in its own right. Excellent performances from Toby Stephens and Ruth Wilson, and a teleplay by Sandy Welch that is mostly true to the original. Welch departs from the book by presenting Rochester as a naturalist, and by introducing house party discussions of the scientific study of twins (???), as well as musings on the paranormal. There’s even a scene with a table transformed into a talking board. (Why add a talking board when you already have gypsy readings?)

The 2011 theatrical version is stripped-down, but effectively so. I like the Rivers family as a frame, and I do prefer Fassbender’s darker Rochester–he has a bit more menace to him and doesn’t babble so much as the original. Mia Wasikowska truly does seem little and plain(ish) in this adaptation, but also strong-willed. I think the scene that really seals the 2011 version as my favorite is when Rochester begs Jane to stay after the revelation of his dark secret. “I cannot get at you, and it is your soul that I want!” (Watch the scene–you know you want to!) I also love the ending–very compressed from the original, but somehow more satisfying to me.


I’ve probably mentioned my Haddon Hall china from Minton before. I first saw the pattern at the Haddon Hall gift shop, but it just wasn’t feasible to ship a set back to the U.S. Fortunately, I later found pieces from various sets at Replacements.com. They don’t match perfectly, but I think that makes the collection all the more charming. And, of course, the Haddon Hall china seemed perfect for a Jane Eyre tea!

For my tea treat, I made parkin, a spicy oat cake from the north of England, particularly popular in Yorkshire (home to the Brontës).

[Parkin] is eaten in an area where oats rather than wheat was the staple grain for the poor. It is closely related to tharf cakes – an unsweeted cake cooked on a griddle rather than baked.[7] The traditional time of the year for tharf cakes to be made was directly after the oat harvest in the first week in November. For festive occasions, the cake would be sweetened with honey. In the seventeenth century (about 1650) sugar started to be imported from Barbados[b]- and molasses was a by-product of the refining process. Molasses was first used by apothecaries to make a medicine theriaca, from which name the word treacle is derived.[8] As molasses became plentiful, or treacle as it became called at that time, it was substituted for honey in the preparation of tharf cakes. (From wikipedia)

After a disastrous attempt with a different recipe, I had success with this: Parkin–a Guy Fawkes Night Tradition. The recipe is accompanied by a helpful explanation of Parkin’s connection to the 5th of November, and it uses U.S. measurements and ordinary ingredients. (I happened to have golden syrup on hand, but according to the recipe corn syrup will suffice.)


It looked a bit like a pan of brownies when it came out of the oven, but oh, the glorious spicy smell!


This parkin was very moist and filling. If Jane Eyre had tucked some of this in her pocket, she might not have suffered so much on the moors before the Rivers family took her in! For tea I needed something strong to match the spice of the bread, so I chose the Irish Breakfast from David’s Tea in honor of Charlotte Brontë’s Irish heritage through her father, Patrick Brontë (originally Brunty or Prunty from County Down, Ireland).

Some related links for your edification and amusement:

The Best Yorkshire Recipes (some nice options for sweet treats here)
–A Jane Eyre tea blend from Adagio
Every Meal in Jane Eyre, Ranked in Order of Severity, from The Toast
–A Tea with Jane Eyre necklace at Etsy
Jane Eyre Tea Cozy patterns for knitters!
Walnut Tea Sandwiches inspired by Jane Eyre
Jane Eyre, the Fragrance, from Ravenscourt Apothecary (this is a NEAT site!)
–And finally, this long-time favorite: Dude Watchin’ with the Brontës from Hark, a Vagrant.

Also, some of my previous Jane Eyre-related blog posts:
Brontës on the Brain (Nov 2013)
The Problem of Kissing in Jane Eyre ’11 (Aug 2011)
Derbyshire Top Ten, including photos of Haddon Hall (July 2011)
I saw Jane Eyre yesterday (April 2011)